March | 2016 | Carol Case Siracuse

These past months of January and February 2016 have been so intense! My solo show, Captured Travels opened with a beautiful, well-attended reception at Betty’s Restaurant, 370 Virginia Street in Buffalo, on Monday night, January 25, 2016, and will be on view through March 20th. I collected brand new and some older paintings, both studio and plein air, and sketches, and put them all together. Kathleen Sherin did a marvelous job curating and hanging the show, and I sold 10 of the 23 pieces on opening night!

This is a very recent painting that graced the publicity for the show, Palermo’s Finest. I could have sold it several times!

This is a plein air painting, watercolor and ink, from our trip this past fall to Paris. The painting of the Pont de la Tournelle below is from a photo Tom took of me painting the Isle du Saint Louis above!

Two more ink and watercolor paintings are of the Paris Backyards and Cimitiere du Pere-LaChaise, Paris.

My architectural background and love for detail comes out in this ink sketch of a Detail from the Palais Garnier in Paris.

These two plein air ink and watercolor paintings from Varenna on Lake Como “capture”

I have painted many views of the towns and landscape around Lake Como.

Perledo above Varenna, with the “hand of God light”, and the Villa Monastero, one of two beautiful villas open to the public along Lake Como in Varenna.

Here I am painting in Varenna.

The first year that I started to sketch when we travelled was 2010 when we spent some time in Cinque Terre, Italy. These two ink sketches are from there.

We also visited Bologna where we were fascinated by the medieval timber frame architecture.

In Tuscany it was all about the views.

Then there’s our time in Istria in Croatia,

the province of Languedoc in France

and Scotland, Portree near the Isle of Skye and the Duart Castle.

We will continue to travel as long as we can and I will continue to capture our travels in sketchbooks, plein air paintings, and studio paintings. Such a rewarding time.

Tom and I were fortunate to be able to escape Buffalo’s winter for two weeks in February. We love Key West, the architecture, the plants, the birds, the people, the arts community, the beaches – very different from the rest of Florida, and enjoyable for both of us, no small task!

I sketch in Key West, and I painted twice with the Key West Plein Air Painters. I also took a class from Sean Callahan at the Studios of Key West. It was a good two weeks for me. I love to draw in my 5″ x 8″ Moleskine sketchbook, using ink pens, and watercolors. I often sketched on site and then add watercolor at the kitchen table. That’s how these sketches were done.

BO’s Fish Wagon, Key West

Sometimes I don’t add any color. The architecture or plant form is enough.

Sometimes I work with both ink and watercolor on site. These are small “sketch paintings.”

The beach scene from Englewood, Florida, spans an open Moleskine. I tried using different colored pens when we were waiting for dinner and enjoying the surroundings at Blue Heaven. Not sure that this one is successful, but it is fun.

This ink sketch and the watercolor were both done at the kitchen table after a disappointing failure on site. We were having a lovely brunch at La Creperie. My perspective was too off to complete, so I worked from a photograph on Tom’s iPad. Much better.

Every time we visit Key West, I sketch or paint the sea grape. I love the way light shines through brightening its colors. This is pen and watercolor pencil minus the water.

I enjoyed painting with the Key West Plein Air Painters. It was a challenge. The light and architectural and plant forms are so different from Buffalo. It will take me some years to become comfortable. These are the two paintings I did, no ink in either.

For fun I sat in on two sessions of a watercolor class at the Studios at Key West. The teacher artist, Sean Callahan and I do not have similar approaches to watercolor, but it’s always interesting to keep an open mind. Everyone worked off the same photograph provided by Sean. Here’s my painting from the first week, done on the kitchen table. I couldn’t complete the second one, instead I sketched Sean and then added the subject, yellow eggs!!! over the top of my sketch. Pretty silly, it expresses my frustration.